New month.
New weekly feature.
Last month, I took the weekly Monday matinee
feature, and I decided to make each one disaster themed. It was a lot of fun, and judging from the
page views, I think quite a few of you enjoyed it. So I decided to do the same thing for
September.
Instead of the Monday Matinee, I thought that I
would make the Sunday Jukebox the day where we would have a weekly feature.
If you read the blog entry that I wrote on August
28, 2012, you would have found that it was based on country sweetheart Shania
Twain. And, that blog entry was actually
intended as a “sneak preview” of September’s weekly feature.
For the next five weeks, I’ll be dedicating each
edition of the Sunday Jukebox to the “Sweethearts of Country Music”. Each week will feature a female country music
artist, and each one will have their own stories, their own heartbreaks, their
own triumphs, their own scandals, and of course, we’ll listen to at least one
of their songs.
If you’re a country music fan, you’re going to
love this month. If not...well, at least
the stories should keep you interested.
And, hey, there’s always October.
So, to kick off the first edition of the “Sweethearts
of Country Music”, we’re going to take a look at a trio of singers who hail
from Dallas, Texas. Initially, their
music was well-loved and respected by millions of people, and they sold millions
of records. However, they had one bit of
controversy where they made one remark at a concert, and they ended up becoming
the target of much fury and backlash.
But, do you think that they let a few jeers get them down? Absolutely not! In fact, they lashed out at their critics the
best way they knew how...through song.
But, we’ll talk about that a little bit later.
I’m sure that some of you have figured out who the
band is already that is the topic of discussion based on my opening
paragraph...but for those of you who haven’t, allow me to introduce you.
The story of our band begins back in the late
1980s. At the time, the top country
music acts were Randy Travis, The Judds, and Reba McEntire. In 1989, a group of four young women formed a
band together. The band was made up of
bassist Laura Lynch, guitarist Robin Lynn Macy, and sisters Emily Erwin
(Robison) and Martie Erwin (Maguire), who could play a variety of
instruments. The original style of music
the band played was bluegrass, and they wanted to make it big on the country
charts. In order to do that, they needed
to come up with a band name that was catchy, but memorable. The group settled on a name that they took
from a title of a Lowell George song, “Dixie Chicken”.
Of course, the “Dixie Chickens” didn’t have a nice
ring to it, so the group decided to shorten the name to “Dixie Chicks”.
Anyway, the “Dixie Chicks” made a great team. With Laura and Robin sharing lead vocals, and
Emily and Martie playing such instruments as the banjo, mandolin, and fiddle,
the group ended up getting their big break in 1990, when the Dixie Chicks
recorded their debut album (thanks to the generous donation of Penny Cook, the
daughter of a senator). “Thank Heavens
For Dale Evans” contained fourteen tracks, and went on sale later that
year...but despite an appearance on the Grand Old Opry, their album failed to
make an impression on country radio.
Despite this, the band did begin to build up a fan
base, performing at various bluegrass festivals (they actually ended up winning
the “best band” at the Telluride Bluegrass Festival), and were the opening act
for several country stars, including Garth Brooks and George Strait.
By 1992, the band released their second album, “Little
Ol’ Cowgirl”, which was an album that sounded more like contemporary country
music. The band developed a richer sound
and modern arrangements, but the change in style proved too much for Robin Lynn
Macy, who departed the band later that year.
But luckily for the Dixie Chicks, a replacement would be found courtesy
of professional steel guitarist Lloyd Maines.
He introduced the Dixie Chicks to his daughter, Natalie, and gave Emily
and Martie a copy of a demo tape Natalie had made. Both Emily and Martie found that Natalie’s
voice harmonized well with their own, and when the band was signed to Sony Music
Entertainment in 1995, the Dixie Chicks said farewell to Laura Lynch, and hello
to Natalie Maines, who became the sole lead singer for the band.
With the addition of Maines to the line-up, the
band began experimenting with new sounds, and recruited a new producer, Blake
Chancey, to help produce their next album.
That album was “Wide Open Spaces”, which hit
record stores in January 1998. Four
singles were released from the album, three of which hit the top of the country
music charts. The album ended up selling
twelve million copies worldwide, and their fan base expanded, a large
percentage of which were young women.
In fact, the success of “Wide Open Spaces” was so
great that the band sold more copies of the album in 1998 than most other
country acts COMBINED. The following
year, the Dixie Chicks recorded the album “Fly”, which was released in the
summer of 1999, which proved to be an even bigger success than “Wide Open
Spaces”. Nine singles were taken from
the album, and songs such as “Ready To Run” and “Cowboy Take Me Away” did
incredibly well on the charts. The album
won the band much critical acclaim and accolades. The album was a Grammy award winning album,
and continued to be named as one of the fifty best-selling albums in American
history a full five years after its release date. The album established the Dixie Chicks as a
powerful force in the world of country music, and they were invited to perform
at Sarah McLachlan’s “Lilith Fair” festival.
Of course, “Fly” also had a couple of
controversial moments, as a couple of songs from the album ended up causing
some radio stations to block them from their playlists. The unreleased song “Sin Wagon” made
references to “mattress dancing”. And,
of course, there was the song “Goodbye Earl”, which was a comedic look at an
abused wife murdering her spouse.
Seriously, take a look at the video below.
Of course, the Dixie Chicks were unapologetic
about the controversy, and even joked about it.
And, in this case, the controversy probably helped the band get even more
publicity, which lead to more record sales.
Things became even more complicated when the Dixie
Chicks got into a dispute with their record company over royalty payments, and
in 2000, the band walked away from the Sony, prompting the company to sue the
band for failure to complete their contract.
In turn, the Dixie Chicks retaliated with their own lawsuit. Eventually the band settled with Sony
privately, and were awarded their own record imprint, “Open Wide Records”,
which allowed them more creative control and higher royalties. At the same time, the band released their
next album, “Home” in 2002, the album independently produced by Lloyd
Maines. The album didn’t do quite as
well on the charts as their previous efforts, but it still ended up selling six
million copies and was honoured with four Grammy Awards.
But then in 2003, things began to crash and burn
for the band, beginning with a March 10, 2003 concert appearance in London.
At that time, the group was promoting “Home”, and
their song “Travelin’ Soldier” was topping the country music charts. But it was also around that time that the
United States were preparing to send American soldiers to fight in Iraq during
the “War On Terror” following the September 11 terrorist attacks in New York
City and Washington D.C. in 2001. And,
needless to say, the Dixie Chicks were not thrilled with then American president
George W. Bush’s plan to invade Iraq.
And, well...at the concert in London, they made their feelings known. Just before performing the song “Travelin’
Soldier”, Natalie Maines issued this statement to the crowd.
“Just so you know, we’re on the good side with y’all. We do not want this war, this violence, and
we’re ashamed that the President of the United States is from Texas.”
That was the comment that sparked a political firestorm,
and sent fans into an outrage.
Now I don’t think it was so much the fact that the
band opposed the war that caused the outrage.
Certainly over the years, dozens of musical acts have opposed war and
promoted peace and avoided controversy...but when the Dixie Chicks inserted
that remark about George W. Bush at the end of their statement it caused things
to explode. Media outlets in America
lambasted the Dixie Chicks for insulting the president on foreign soil, and
despite an apology from Maines four days later, former fans began to turn on
the Dixie Chicks.
The Dixie Chicks were subsequently banned from
various country music stations, and were dropped by Lipton, one of their main
sponsors. Several fans turned their
backs on the group, and demonstrations were held in various locations which saw
former fans destroying their Dixie Chicks albums. A few celebrities came out in support of the
band, including Bruce Springsteen, Madonna, and Merle Haggard, but the Dixie
Chicks continued to get chided and jeered by the media. They even got booed at the Academy of Country
Music Awards, and found themselves embroiled in a public feud with entertainer
Toby Keith. Natalie Maines herself ended
up getting the worst of it, receiving death threats as a result of the
controversy.
It took about three years for the band to begin
writing new material for a new album, likely still trying to find a way to cope
with the fact that so many people had blacklisted them. They figured that the best way to do that was
through song.
You see, despite the fact that the band made that
statement, they also had feelings. And,
in my honest opinion, just because they may have made a comment that didn’t sit
well with a lot of people, I don’t think it really justified having people lash
out against them the way they did. It
most certainly did not warrant anyone uttering a death threat against the
person who said the statement that caused the snowball effect in the press.
So, in 2006, the Dixie Chicks released their first
song since the controversy erupted. The
song was written by all three members of the band, and all three members had
statements that they wanted to make in regards to the song itself. Emily knew that the song was special due to
its autobiographical nature, while Martie came to a new realization about how
painful that time period was. Natalie,
the Dixie Chick who ended up getting the worst of it stated that at first she
was trying to tiptoe around the controversy and wondered if they should all get
along...but then she realized that she wasn’t at the point in her life where
she was ready to make nice just yet.
And, while we’re looking at that last statement,
let’s listen to the song.
ARTIST: The Dixie Chicks
SONG: Not Ready To Make Nice
ALBUM: Taking The Long Way
DATE RELEASED: June 5, 2006
PEAK POSITION ON THE BILLBOARD CHARTS: #4
SONG: Not Ready To Make Nice
ALBUM: Taking The Long Way
DATE RELEASED: June 5, 2006
PEAK POSITION ON THE BILLBOARD CHARTS: #4
“Not Ready To Make
Nice” was the Dixie Chicks response to the criticism. I mean, think about it. If you had fans destroying your albums and
threatening your life, I would think that the last thing you would want to do
is have a tea party with them and forgive them as you nibble on a slice of key
lime pie. In fact, I might be on an
island of one with this comment, but I applaud the girls for sticking to their
guns...and a lot of other people did as well.
Allmusic, Entertainment Weekly, Rolling Stone, and USA Today all gave
the song positive reviews, and even praised the band for continuing to be
themselves. The song even won three Grammy
Awards, proving that they were still a hot ticket despite being ripped apart in
the media just a few years earlier.
In short, the Dixie
Chicks did what not a lot of people did.
They stood up for themselves, wrote a song about it, and it became a
hit.
How many people can
say that?
So, that was the
first week of “Sweethearts of Country Music” September. Coming up next week on September 9th,
we’ll talk about a country music superstar and her “independence day”.
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