This week’s edition of the Monday
Matinee was a fairly easy one to write.
It’s a film that made a huge killing at the box office, was the film
debut of two women who would grow to become huge stars in both the acting and
talk show hosting world, and also happens to fit in nicely with the theme of
the month (which of course is Black
History Month).
So, why you ask, is this entire blog
entry typed in purple? Well, hold on to
your hats. I’m getting there (and no, it's not because the Baltimore Ravens won the Super Bowl last night...but congratulations to them on their victory).
But first, I want to ask you a
question.
Have any of you ever heard of an
author named Alice Walker?
I see some of you nodding your heads
yes, while others of you are staring blankly at me in the face wondering what I
had just said. Well, okay, not
really. I cannot see you through my
laptop. But, a guy can pretend, can’t
he?
The truth is, Alice Walker wrote a
book over thirty years ago that got a lot of people talking (and reading). That book has sold millions of copies since
it was first published in 1982, and in 1983, Walker won the Pulitzer Prize for
Fiction, as well as the National Book Award for Fiction. The book depicted the struggles of young
black women growing up during 1930s America, and the fight to have their voices
heard in a society that deems them next to worthless. It was definitely a book that was not for the
faint of heart, as some of the situations that the main characters had to
endure were incredibly horrific and disgusting.
So much so that the book is ranked at #17 on the American Library
Association’s list of the 100 Most Frequently Challenged Books of 2000-2009.
But I think it’s good that an author
would stick to their guns and write a powerful story, even if the imagery
inside of the book is something that paints a rather disturbing picture. Besides, if anyone has ever read the book in
question, they would quickly find out that despite the despair and pain that
the protagonists have gone through, there’s plenty of hope that could be found
as well.
That book was “The Color Purple”,
and as it so happens, today’s movie will look at the 1985 film adaptation of “The
Color Purple”.
(Does this now explain the purple
text? J )
Now, the reason why the book (and
movie) was called The Color Purple is all about symbolism. I always get a kick out of watching a movie
and pointing out the little bits of hidden messages and symbolic uses of props,
patterns, and colours. I even did a
school project in my English Media class in high school on symbolism found in
horror films. And, purple plays a very
important role in both the book and the movie.
On one hand, you could say that
purple could be used in a negative sense.
The main character of the book is a young woman named Celie who goes
through a whirlwind of emotional distress in her early years, which causes her
to look at the world in a negative sense, and leaving her without the ability
to appreciate the simple beauty in everyday life. As a young girl, Celie was sexually abused,
which left telltale purple marks on the most sensitive parts of her body, and
she also remarked that the bruises and scrapes found on her friend Sofia’s face
was like the color of an eggplant.
And, as we all know, an eggplant is
purple.
But purple also represented a colour
of high prestige as well. At some point
during the story, Celie wanted to wear something that made her feel like a
queen, but couldn’t because the stores didn’t have anything that was purple in
colour (keeping in mind that purple was considered a colour associated with
royalty). And, purple represented the
dreams that Celie had...dreams that she never believed that she would
attain.
It’s certainly a colour that is a
common theme within the film adaptation, as well as the book. Why else do you think that the movie poster
is designed with a purplish tint?
The film adaptation for “The Color Purple”
did extremely well at the box office, and was praised highly by critics. The film was the eighth motion picture
directed by famed director Steven Spielberg, and starred Danny Glover, Rae Dawn
Chong, Margaret Avery, Desreta Jackson, Adolph Caesar, and in their motion
picture debuts, Whoopi Goldberg and future talk show queen Oprah Winfrey. The film was released on December 18, 1985,
and made almost one hundred million dollars at the box office on a budget of
fifteen million dollars.
The film also has a record
associated with it, albeit not a record that one hopes to get. The good news was that it received eleven
nominations for Academy Awards, including Best Picture, and acting nominations
for Goldberg, Winfrey, and Avery. The
bad news was that the film was completely shut out, not even winning one of the
eleven awards that it was nominated for, tying the record set by the 1977 film “The
Turning Point” (though Whoopi Goldberg did win a Golden Globe for her
performance in 1986).
Despite this oversight, critics
praised the film, as Siskel & Ebert gave the film two thumbs up, while New
York Times critic Janet Maslen noted that while the film didn’t exactly line up
with the book, it still worked splendidly.
“The Color Purple” begins in the
early 1900s in the area known as the Southern United States. We are introduced to Celie Harris (played by
Goldberg as an adult), who has had an incredibly rough childhood. By the age of fourteen, she has already given
birth to a couple of children. The
father of her children? Her own “father”!
(There’s a reason why the word “father”
is in quotation marks. You’ll have to
watch the movie to discover why that is.)
Anyway, Celie’s “father” immediately
takes away her children after they are born and sends them off to live
somewhere else, for Celie’s future plans do not involve her becoming a mother. No, she’s arranged to be married off to a
wealthy man whom Celie only knows as “Mister”.
In truth, his real name is Albert Johnson (played by Glover), and “Mister”
is no sweet, loving husband, who treats Celie as his own personal slave.
You’d have thought that he would know
better, given that just a few decades earlier, his ancestors were likely
enslaved at the hands of wealthy Americans...but sadly, this is not the case,
as Albert beats Celie up and keeps her so frightened of him that she is forced
into doing everything he wants. Although
things perk up for Celie a bit when her sister Nettie (Akosua Busia) comes to
stay with them (she teaches Celie how to read), the happiness is short lived
when Albert tries to come on to Nettie and she rebuffs him enough times for him
to throw her out of the house. But
Nettie promises Celie that she’ll find a way to stay in touch with her by
writing her letters whenever she can.
Remember that promise for later,
folks.
One day, an ex-lover of Albert’s,
Shug Avery (Avery) decides to come and live with him and Celie. And right off the bat, the first impression
that Celie gives to Shug is not a good one, as Shug remarks that Celie is “ugly”. But it really wasn’t Celie’s fault. She had been feeling ill and was forced to
wear a face mask to keep anybody else from catching her nasty virus.
After a little bit of time passed,
Celie and Shug soon became close friends, and Shug becomes Celie’s own personal
self-confidence booster.
NOTE: It is also mildly dropped in the film that an
affair takes place between Shug and Celie...but if you read the book, it describes
this relationship in greater detail.
Celie also finds a firm friend in a
woman named Sofia (Winfrey), who happens to be married to Albert’s son, Harpo
(Willard E. Pugh). Sofia has also
sustained abuse and torture from the menfolk in her life, but there is one
thing that Sofia had that Celie did not.
A backbone.
It wasn’t uncommon at all for Sofia
to stand up for herself and give it as good as she took it. She wasn’t about to let anybody take
advantage of her, and her attitude certainly impresses Celie. But unfortunately, Sofia took it a bit too
far when she gets into a scuffle with the town mayor and his wife...and,
well...see for yourselves.
One thing you can say...she was
definitely a woman ahead of her time.
But shortly after this little
incident, Celie comes across a rather shocking truth. Apparently, her sister Nettie has settled in
Africa, working with missionaries there, and she has been sending Celie dozens
of letters. Unfortunately for Celie,
Albert has been getting to the mailbox first and has confiscated every single
one so that Celie would never have access to them.
What a prince, huh?
Fortunately, with a little sleuth
work courtesy of Shug and her new husband, Celie discovers a couple of years
worth of letters that Nettie had sent...letters that Albert withheld from her
all that time. At first, Celie is
absolutely angered that Albert would do this to her...but then she thinks about
it some more and realizes that this information has given her renewed hope and
courage...courage that Sofia showed her that fateful day. Although Celie’s first instinct is to kill
the very man that caused her so much pain, and almost succeeds when she considers
stabbing him with the very knife she used to shave his face. Luckily, Shug manages to prevent her from
going through with it.
Later, at a family dinner, Celie is
shocked to see Sofia in a near catatonic state due to the frequent beatings
that she has suffered while in prison for punching the mayor. It was like the trip to prison had taken all
of the light inside of her. But seeing
Sofia in that state triggered something inside of Celie, and what ends up
taking place is one memorable confrontation that puts everything out on the
table.
And, I think on that note, we’ll end
the plot summary for this film. I’ve
already said too much. I will just provide
you a clue with the ending. It has a lot
of slacks. That’s all that I can say.
“The Color Purple” was a film that
was necessary to make. It portrayed a
dark part of American history in which black women were made to feel inferior
just because of the colour of their skin...but it also showed them taking back
control and leading the fight to become recognized in a society that fought
them every step of the way. That’s to be
admired.
I mean, would Whoopi Goldberg have
become a famous actress, appearing in dozens of Hollywood features, and a
panelist on “The View” had things stayed the same?
Would Margaret Avery have appeared
in several acting projects of her own, and volunteered her time to helping
battered women and at-risk teenagers had things stayed the same?
Would Oprah Winfrey have become a
multi-millionaire, hosting a successful talk show for a quarter-century, and
being the head of her own book club, magazine, and television network had
things stayed the same?
Just some food for thought today.
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