I
hope you guys are excited for another edition of the Sunday Jukebox. And, as I mentioned a couple
of weeks ago, for the rest of the year, I'll be doing album spotlights, as
opposed to just doing one song.
I
think that way, I can talk about more than just one song. I can offer trivia on how albums were
recorded, or how album covers were shot, or how the music videos were
made. It's worked well the last couple
of weeks I've done this, and I expect that it will continue to be a fun
exercise.
So,
how I've been choosing what albums to take another look at is simple. I go through the history of the Billboard
200 list (that's the album chart as opposed to the single chart), and I choose
albums that were released in the past during the week that we are currently in.
So,
today's album spotlight comes to us from the year 1983. Hard to believe that it's been thirty-two
years since this album was released. It
certainly makes me feel very old, given that I remember hearing songs from this
album playing on the radio throughout my childhood. It's uncanny. Although I
was only two years old when this album was released, I swear that you would
frequently hear songs from this album some five, ten, even twenty years down
the road. That's how great an album it
was.
And
while most acts who were around in 1983 are no longer charting today, this man
has defied the odds and continues to tour all over the world, even though his
last album of new material came out over twenty years ago. At the age of 66, this man - who kicked off
his career with 1973's "Piano Man" has earned a number of
accolades. He earned a total of 33 Top
40 hits on the Billboard Hot 100, has won six of the twenty-three Grammy Awards
that he was nominated for, and has sold over 150 million records worldwide.
Today,
we're going to take a look at one of Billy Joel's most famous albums - "An Innocent Man" - which was released 32 years ago this weekend.
The
album cover is a simple one, with Billy sitting on the front steps of a
building in the middle of New York City's SoHo district. At the time that he recorded the album, his
personal life was in a bit of an uproot.
He was divorced from his first wife, and was re-entering the dating scene
by dating supermodels who were considerably younger than he, and the experience
he said made him feel like a teenager all over again. And back in the days in which Billy was a teenager, the music
scene was filled with doo-wop, Motown, and rockabilly pop - which inspired the
sound of most of the tracks of "An Innocent Man".
And
the album was extremely popular. Of the
ten songs that appeared on the album, seven were released as singles. Some made it all the way to the top, and
some stalled on the charts after a while, but six of the seven were Top 40
hits. Not a bad track record at all!
And
yes...we'll be listening to all seven single releases on this album. Who knows?
You might even learn a bit of trivia about some of them.
So,
let's listen to the first single, shall we?
It also happens to be my favourite track on the album.
1.
TELL HER ABOUT IT
Released: July 1983
Peak Position on the Billboard Charts: #1
Peak Position on the Billboard Charts: #1
Though
this single was the only one to reach #1 from "An Innocent Man", it
also happens to be one of the best tracks on the whole album. I think part of it comes from the music
video, which was designed to be like a performance seen on "The Ed
Sullivan Show". Billy performing
on the soundstage while people are watching from home or bars was a genius
concept - one that was reused by Outkast in 2003 with "Hey Ya!". The song about someone telling a young man
to grab his chance at love before it slips away was certified Gold in 1983, and
if you look closely at the end of the video, you'll see a cameo by Rodney
Dangerfield.
2.
UPTOWN GIRL
Released: September 1983
Released: September 1983
Peak
Position on the Billboard Charts: #3
You
know, with the way that our local radio station played "Uptown Girl"
every hour on the hour for what seemed like seven years straight, it shocks me
that the song only peaked at #3. But,
nevertheless, it was still a huge hit for Billy Joel. Who knew meeting an Uptown Girl and living in a white bread world
could be the inspiration for such a catchy song?
But
just who was the Uptown Girl in question?
Obviously
most people would think that it was the woman who played the girl in the
video. That would be Christie Brinkley,
and she was definitely the epitome of America's Next Top Model - well, if the
show began in the 1980s, that is. Christie
would later marry Billy Joel in 1985 and they would have a child together,
Alexa. Though the couple divorced nine
years later, they still remain amicable with each other. But Christie wasn't the only woman Billy
dated after his divorce was finalized.
Rumour has it that the song could also be about Elle Macpherson (who was
only nineteen when "Uptown Girl" was released), who dated Joel at the
time the song was written. It's hard to
say exactly who the "Uptown Girl" was. Joel later confirmed in an interview with Howard Stern that the
song started out being about Macpherson, but ended up being about Brinkley as
well.
So,
there you have it. There was more than
one Uptown Girl that tickled his fancy.
3. AN
INNOCENT MAN
Released: December 1983
Released: December 1983
Peak
Position on the Billboard Charts: #10
At
a time in which MTV was really gaining in momentum and every artist was using
the power of the music video to get noticed, this Ben E. King inspired ballad
did not have a video made for it. And,
you know? I can probably see why this
was the case. The song was so moving
and powerful that it didn't need one.
This
song also has one moment that according to Billy Joel would NEVER happen
again. You know that really long high
note that Billy Joel delivers at some point during the song? That would be the last time you would ever
hear him sing that high, as according to Joel, there would be no way that he
could ever duplicate that note without destroying his vocal cords. So, you won't hear him croon like Minnie
Riperton anytime soon. That's okay
though. The rest of the notes he can
sing more than make up for it.
4.
THE LONGEST TIME
Released: March 1984
Released: March 1984
Peak
Position on the Billboard Charts: #14
I'm
really baffled at how this song only peaked at #14. But then again, he did have to compete against Michael Jackson,
who was releasing singles from "Thriller" at about the same pace that
Joel was releasing singles from "An Innocent Man". In fact, Joel lost to Jackson in the Album
of the Year category at the 1984 Grammy Awards!
Anyway,
this song is unique in that the song is almost entirely performed a
cappella. Listen closely...do you hear
any musical instruments in the song at all?
I can't! Though apparently a
bass guitar and snare drum were used at some point. But the fact that you can't even hear them in the song is a
testament to Joel's talent. Would you
believe that he recorded all of the lead and backing vocals himself and that
they were all spliced together to create this single? That is impressive.
5.
LEAVE A TENDER MOMENT ALONE
Released: July 1984
Released: July 1984
Peak
Position on the Billboard Charts: #26
This
single is probably the worst performing single that was released from this
album in the United States...and honestly, I'm really struggling with that
fact, as I absolutely love this single.
It's definitely got a nice groove to it, and was inspired by soul music
from the late 1950s and early 1960s, but with an 80s twist.
I
mean, let's face it. Growing up in the
1980s, a lot of pop songs used the harmonica to give the songs a more bluesy
feel. And in this case, the harmonica
was provided by guest musician Toots Thielemans.
It
should have been a better chart performer though. You certainly don't hear music like this nowadays - and the
recording industry is all the poorer for it.
Though, this single does illustrate the success of this album. After all, this song was released a full
year after the album's first single was!
And we aren't finished yet!
6.
KEEPING THE FAITH
Released: September 1984
Released: September 1984
Peak
Position on the Billboard Charts: #18
Okay,
we're back to the dancing and the grooving with this fantastic hit! The sixth single from "An Innocent
Man", this would be the last song to chart on the American charts, peaking
at #18. And, this track essentially is
the very answer to why Billy Joel released "An Innocent Man" in the
first place - a celebration of music and style of his youth.
And
I think part of the reason for the single's success comes from the music video.
First,
the video is chock full of celebrity cameos.
Watch for appearances from Christie Brinkley, Joe Piscopo, and Richard
Pryor in this video. Secondly, get a
look at some of the costumes that the courtroom audience wears. One half is decked out in 1950s garb, and
the other is dressed in 1960s psychedelic chic. The costume designer definitely worked overtime in this music
video! And finally, listen to the
lyrics and count how many 1950s references you hear Joel singing about. There's quite a lot.
Mind
you, if this song were remade today, you'd have to take out the references on
Sen-Sen mints and 45s, and replace them with Bonkers fruit chews and cassette
tapes!
7.
THIS NIGHT
Released: November 1984
Peak
Position on the Billboard Charts: N/A
Okay,
I know what you're thinking. When was
this single ever released? Well, it
wasn't. At least not in America. But in the United Kingdom, this single was
released instead of "Keeping the Faith", and it peaked at #78. In Japan, the single peaked at #88.
Maybe
it wasn't Billy Joel's strongest single release, but since it was released in
some parts of the world, I have to include it.
Oh, and while the subject of "Uptown Girl" was slightly
ambiguous in the subject, Joel confirmed that the subject of this single was
without a doubt, Elle Macpherson.
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