I've decided to keep the
Sunday Jukebox a one-hit-wonder zone for the month of September, but
before I go ahead with today's topic, I feel as though I need to
offer up a little bit of a disclaimer.
Although I'm not going to
be uttering a bunch of useless swears, disgusting, off-colour jokes,
or turning this blog into a huge salute to the animated violence
found in the recently released “Grand Theft Auto V”, I will be
giving this blog a rating of “T” for Teen. I contemplated making
the subject rated “M” for Mature, but to be honest with you, I
don't think the subject matter is THAT bad.
That said, the subject
matter is such that it's kind of on the...well...mature side. Too
mature for say, a nine year old, but perfectly acceptable for someone
who is thirteen or over.
So as you might have
guessed, today's song has some subject matter which I would classify
as not really appropriate for younger children. You've been warned
ahead of time.
And, as you might have
figured out, this song happens to be a one-hit-wonder – at least by
American standards anyway.
So, I'm not sure if you've
heard of the Parents Music Resource Center (affectionately or
non-affectionately known as the PMRC). The group was founded in 1985
by Tipper Gore, Sally Nevius, Susan Baker, and Pam Howar, and if
you're looking for the group that was responsible for those black and
white “Parental Advisory” stickers that can be found on the
bottom-right corner of most albums found in record stores today, they
are the ones you can thank (or blame) for that addition.
They also came up with a
list of songs at the time the group was founded known as the “Filthy
Fifteen”. Songs that the group felt objectionable, and songs which
the group believed provided a poor message to the youth of America.
I bet you're dying to know
exactly what the so called “Filthy Fifteen” are, right? As it
happens, I have that list. And, pay special attention to the ones
that I have highlighted in a different colour.
“Let Me Put My Love Into
You” by AC/DC
“Trashed” by Black
Sabbath
“High n' Dry (Saturday
Night)” by Def Leppard
“Sugar Walls” by
Sheena Easton
“Eat Me Alive” by
Judas Priest
“She
Bop” by Cyndi Lauper
“Dress You Up” by
Madonna
“In My House” by Mary
Jane Girls
“Into The Coven” by
Mercyful Fate
“Bastard” by Motley
Crue
“Darling
Nikki” by Prince
“We're Not Gonna Take
It” by Twisted Sister
“Strap On Robbie Baby”
by Vanity
“Possessed” by Venom
“Animal (F@#$ Like A
Beast)” by W.A.S.P.
Okay, so looking at that
list, some of them are understandable. The group known as W.A.S.P.
may have their fans, but there is no radio station that would play a
song with that title unless it was edited out. Prince's “Darling
Nikki” is quite the explicit song. I don't even think I can post
the link to it. And, let's face it. We all know that Sheena
Easton's “Sugar Walls” can only be found...below the belt. Not
going to say any more about that one.
But, putting that classic
Twisted Sister song on that list? Really? I mean, I suppose that it
was sort of wrong to promote violence as that mean old dad kept
getting injured...but with his attitude at the beginning of that
song, he was sort of asking for it! It's a song that urged kids to
challenge everything and to stand up to bullies and to make a stand.
Oh, wait...now I know why
the PMRC hated that song.
And, really. “Dress You
Up” in my love? THAT'S offensive? Not compared to some of the
songs that you hear on the radio now. Truth be told, dressing
someone up in your love sounds incredibly romantic as far as I'm
concerned.
But, I digress.
Whatever the case, the
songs on the “Filthy Fifteen” were chosen because their lyrics
promoted violence, sex, the occult, and drug and alcohol usage.
So, why have I
specifically highlighed the Cyndi Lauper and Prince songs within the
“Filthy Fifteen”? Glad you asked. As it so happens, today's
song also deals with the same subject that placed Prince and Cyndi
Lauper on that “Filthy Fifteen” list. And it's a song that when
it was released in the early 1990s, it received quite a bit of
controversy given its subject matter.
Of course, controversy
seems to sell almost every record. In the case of this song, it took
the song all the way to #2 on the Billboard Charts, and topped the
charts in their native Australia. In fact, if you're reading this
blog from the Land Down Under right now, you'll likely be calling me
a liar, as down in Australia, this group was as far from being a
one-hit-wonder as you could get. Here in Canada and the United
States, this song was the only one to ever reach as high a position
on the Billboard Charts.
And that's despite the
fact that when the song was released, many radio stations refused to
play it because they felt that people would become offended by the
song's content. I actually almost died of shock when the retro music
station that I sometimes listen to on the radio actually played the
song in the middle of the lunch hour!
So, what makes this song
so controversial? Well, why don't I just post it, and we'll get the
discussion started down below.
ARTIST:
Divinyls
SONG:
I Touch Myself
ALBUM:
Divinyls
DATE
RELEASED: December 2, 1990
PEAK
POSITION ON THE BILLBOARD CHARTS:
#2
I'm
sure that the title's a dead giveaway.
Of
course, before we begin talking about the song, let's talk a little
bit about the band.
While
the band who called themselves “Divinyls” were just a
one-hit-wonder band here in North America, it certainly wasn't the
case back in their native Australia, with the band releasing a total
of five studio albums – four of which made the Australian Top 10
album sales charts. Since the band was founded in Sydney, Australia
in 1980, the band released approximately two dozen singles. Most of
them only peaked within the Top 50, but a few reached the Top 40.
The band even scored their first (and only) #1 hit in 1991 with the
song heard above.
At
the time that “I Touch Myself” was released, the Divinyls were
comprised of Chrissy Amphlett, Mark McEntee (two of the founding
members of the group), Tim Millikan, Charley Drayton, Benmont Terch,
and Randy Jackson.
(And
by Randy Jackson, I don't mean Michael Jackson's brother or the
American Idol judge.)
Anyway,
the band stood out amongst the crowd, thanks largely in part to the
sexuality that lead singer Amphlett brought to every single
performance, as well as the brashness and humour she was known to
display during talk show appearances and celebrity interviews for
magazines.
I
suppose given that, it makes sense as to why Amphlett would agree to
record a single about...well...touching one's self. An activity that
some people believe is a sin.
(Some
people. Not myself, but some people.)
Anyway,
back to the story. The reason why those songs by Cyndi Lauper and
Prince were added to the list of the “Filthy Fifteen” is because
those songs included references to...well...touching yourself.
I
would imagine that had this Divinyls song been released five years
earlier than it was, it more than likely would have kicked the
Twisted Sister song off the list. At the very least, it would have
gotten one of those Parental Advisory stickers on it, right?
Well,
to be honest with you, after listening to the song a bunch of times,
I don't think it's as naughty a song as it once was. At least, not
compared to some of the other songs that have been played on the
radio as of late. Seriously, comparing this song to Rihanna's “Rude
Boy”, it makes this song sound like it came from “The Sound of
Music” soundtrack.
(Okay,
now I have this disturbing image of Julie Andrews singing this song.
My bad.)
But
seriously...I think that there are a couple of ways that one could
interpret this song...and it all stems from the way that you define
the words “I Touch Myself”.
Now,
we've already discussed the meaning of one of these ways. Obviously,
most people will automatically gravitate towards the idea that
touching yourself really does mean...well...touching yourself. And,
I'm 99.9% sure that this was what the band meant for you to think.
It was a killer song with an addictive hook that was hardly ever
played on radio because people's minds instantly went there and
decided that the song was too hot to be seen on air or played on the
radio.
Though,
to be fair, Madonna and Quebec chanteuse Mitsou both had videos
banned from MuchMusic the same year that “I Touch Myself” was
released. I take it 1990 was a year in which everything was
challenged and one-upped. I'm just speculating though. I was only
nine, and was very much likely shielded from watching the music video
clips by my parents.
The
joys of growing up as the youngest child in the family...
Now,
what if I told you that I have found a different way to interpret the
song. It's a stretch, mind you, but had radio and television
promoted the single like this, it may have gotten more airplay. Bear
with me here.
I'm
sure that most of you have heard the saying “I feel so touched”,
right? It has nothing to do with the actual sense of touch as it
does the feeling of love. Obviously if your true love tells you how
they really feel about you in a loving, devoted sense, you'll
naturally feel this feeling of warmth and joy...almost as if they've
touched your heart in a romantic way.
So,
you could also make the claim that every time Chrissy Amphlett
thought about her man, it touches her in a way that she never thought
possible...as if nobody else could ever love her in that way the way
that he could.
Again,
I'm stretching that explanation more than most people would stretch a
piece of taffy. But it kind of works, doesn't it? At least humour
me and tell me that this is the case! Please?
Anyway,
the song itself still remains a hit in the world of pop culture, and
the level of controversy associated with the song faded over time.
The song appeared in the 1992 film “Prelude to a Kiss”, as well
as in this memorable scene from the 1997 film “Austin Powers:
International Man of Mystery”.
Yeah...a
bikini brief clad Mike Myers using his body to blow up fembots.
That's an image that I will have a hard time removing from my brain.
And
would you believe that the song has since been covered by Eve 6, Ben
Folds, P!nk, and Weird Al Yankovic over the years? Very impressive.
Unfortunately
for the Divinyls, this song ended up being one of the band's last
hits. Six years later, Amphlett and McEntee had a huge falling out
which inevitably broke the band up in 1997, during which time
Amphlett pursued a career acting on stage in plays and musicals.
Both Amphlett and McEntee would pursue solo projects as well, albeit
to limited success. The two reunited at the 2006 ARIA Hall of Fame
(ARIA standing for the Australian Recording Industry Association),
and released some new material the following year. Sadly, the
reunion was cut short in 2009 as Amphlett was diagnosed with multiple
sclerosis and was forced to call the Divinyls quits. And because she
was diagnosed with multiple sclerosis, it made her unable to seek out
any cancer fighting treatments such as chemotherapy and radiation
when she was diagnosed with breast cancer in the early 2010s.
On
April 21, 2013, Chrissy Amphlett passed away in New York City at just
53 years old.
However,
somewhere up there, I'm certain that Chrissy is probably having a
ball telling all of the angels up there about how her song about
touching oneself ended up nearly topping the charts here in North
America.
At
least, we can dream of Amphlett making those stuffy harp-playing
angels blush!
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